The coffin is for the eye when the carpenter is working, as it gives [Page 140 of the Cairo edition] images and images of two types: apparent, sensory images, which are bodies, and what is connected to them by sense, such as shapes, colors, and universes, and inner, intangible, intangible images, which are what is in them of science, knowledge, and wills, and between these two qualities, what is apparent. It appeared from the forms, so the marking adjective is ab, for it is influencing, and the working adjective is mother, for it is influencing it, and from it the forms that we mentioned appeared. If the carpenter engineer is knowledgeable and does not work well, then he throws what he has in the hearing of the one who does good carpentry work, and this casting is marriage, so the engineer’s speech is ab, and the listener’s acceptance is mother, then the knowledge of the hearer becomes A father and his limbs. But if you wish, you can say that the engineer is a father, and the craftsman who is the carpenter is a mother, in that he is attentive to what the engineer throws at him. If it affects him, then what is in his power is revealed in the soul of the carpenter, and the image that appears to the carpenter is in his inner being of what the engineer threw at him, and it occurred in the presence of his imagination, existing and apparent to him. In the same position as the son who was born to him, he understood about the engineer and then worked as a carpenter. He is a father in wood, which is the mother of carpentry, with the machines with which marriage takes place and the emission of water, which is the effect of every blow by coming or cutting with a saw, and every cutting, separation, and plural in the carved pieces, we do not create the image.